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ACADEMIC:
2009: Ph.D. in Art History, McGill University, Montréal
"Performative Autopathographies: Self-Representations of Physical Illness in Contemporary Art."
2006-2007: Visiting doctoral student, Universität Basel, Switzerland
Guest researcher with eikones NFS Bildkritik / NCCR Iconic Criticism
2001: Maîtrise en Études des arts, Université du Québec à Montréal
“Transgressive Corporealities: A Feminist Analysis of Representations of the Body in Works by Kiki Smith, Mona Hatoum, and Marie Chouinard."
1998: Bachelor of Arts, McGill University.
Honours English: Drama and Theatre; Minor in Art History
PROFESSIONAL:
2001-2002: École de mime corporel dramatique, London
2000-2001: L’école de mime Omnibus, advanced courses, Montréal
1984-1996: Imperial Society of Teachers of Dancing (ISTD) Modern Dance Diploma (Advanced), Westmount Ballet Coop, Montréal
1981-1992: Royal Academy of Dancing (RAD) Classical Ballet, Westmount Ballet Coop, Montréal
ADDITIONAL TRAINING (selections):
Audio production: - Audio production for multidisciplinary artists (Oboro)
- Audio production with Ardour (Studio XX)
Clown: Francine Côté
Therapeutic clowning: Francine Côté, Alexis Roy (Dr Clown)
Corporeal Mime:
Thomas Leabhart; Luis Torreao; Selma Souza; Jean Asselin; Denise Boulanger; Francine Alepin; Jacques E. Leblanc; Claire Heggen; Corrine Soum; Steve Wasson
Dance/Movement:
- Continuum, Linda Rabin
- Contemporary dance and composition, Angélique Willkie
- Mouvement authentique, coaching with Louis Pelchat
- Voice and movement workshop, Urban Bush Women (Claremont, CA)
- Modern Dance (Humphrey – Limon), Lynne Pelletier (LADMMI, Montréal)
- Dance for Actors, Jo Lechay (UQAM)
Photography:
Photography I and II (Dawson)
Linux, Ardour, Gimp, Blender, Drupal (Studio XX)
Adobe Premiere (Dawson)
Vocal training:
Christina Tannous; W. Steven Lecky; Contemporary Opera workshop (Chants Libres); Harmonic overtone singing
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