Selected writings:
 
Stéphane Montavon and Tamar Tembeck, "Scenes for Ears."  In M. Butte et al, eds., Bild und Stimme. Munich: Fink, 2011.

“Giving Form to Pathos? On the Articulation of Suffering Experience in Non-Verbal (Auto)Pathographies.” In Peter Holzer et al, eds. An den Grenzen der Sprache. Kommunikation von Un-Sagbarem im Kulturkontakt. Innsbruck University Press, 2011.
 
“Scars and the Responsibility of Reception.” In Franz Wassermann and Anita Moser, eds. Narben/Scars: Kunstprojekt zu sexueller Gewalt/An Art Project on Sexual Abuse. Innsbruck: Studienverlag, 2011.
 
“Performer le réel: Mise en scène et réception du corps souffrant,” Revue de Théâtre Jeu (135): 42-48, 2010. [téléchargez le communiqué ici]
 
“Exposed Wounds: The Photographic Autopathographies of Hannah Wilke and Jo Spence,” RACAR: Revue d’art canadienne/Canadian Art Review (33, 1-2: Medical Tabulae): 87-101, 2008.
 
“Pathographie du Corps Dansant: Modalités de la Représentation Chorégraphique de la Maladie.” In Sylvie Fortin, ed. Danse et Santé: Du Corps Intime au Corps Social, 271-288. Québec: Presses de l’Université du Québec, 2008.
 
“Impressions from Documenta 12,” Locus Suspectus: Uncanny Sites of Visual Culture (5): 42-47, 2007.
 
“Mona Hatoum’s Corporeal Xenology” in Thresholds (29: Inversions): 59-62, 2005.
 
“Theatre for Education in Oaxaca, Mexico: An Interview with Pedro Guillermo Castellanos Lemus” alt.theatre : Cultural Diversity and the Stage, vol. 3, no. 3, 2005.
 
“Bridging Art with Activism: In Conversation with Gabriel Levine of Le Petit Théâtre de l’Absolu,” alt.theatre : Cultural Diversity and the Stage, vol. 2, no. 4: 6-7, 2003.
 
“Marie Chouinard: Sculpting Solos for Two,” The Dance Current, vol. 5, no. 2:  21-23, 2002.

“The Staging of Desire: a Feminist Portrait of Marie Chouinard,” in Estivale 2000: Canadian Dancing Bodies Then and Now. Toronto: Dance Collection Danse: 191-198, 2002.